Les mystères du peuple, Tome IV by Eugène Sue

(14 User reviews)   5767
By Nicholas Ortiz Posted on Dec 25, 2025
In Category - Law & Society
Sue, Eugène, 1804-1857 Sue, Eugène, 1804-1857
French
Okay, so you know those epic family sagas that span centuries? Imagine one of those, but instead of a noble house, it's about a French family fighting oppression from the Roman Empire all the way to the French Revolution. This is the fourth book in that series. Think of it as a secret history of France, told through the eyes of the people who usually get left out of the fancy history books. It's dramatic, it's full of wild twists, and it makes you see history from the ground up. If you ever wondered what life was really like for regular folks during all those wars and revolutions, this book has answers.
Share

Read "Les mystères du peuple, Tome IV by Eugène Sue" Online

This book is available in the public domain. Start reading the digital edition below.

START READING FULL BOOK
Instant Access    Mobile Friendly

Book Preview

A short preview of the book’s content is shown below to give you an idea of its style and themes.

away, and they were numerous, they ate and drank with perfect freedom. The captains, who wore bronze cothurni, had placed themselves in the central path, beneath a gold-fringed purple awning, which reached from the wall of the stables to the first terrace of the palace; the common soldiers were scattered beneath the trees, where numerous flat-roofed buildings might be seen, wine-presses, cellars, storehouses, bakeries, and arsenals, with a court for elephants, dens for wild beasts, and a prison for slaves. Fig-trees surrounded the kitchens; a wood of sycamores stretched away to meet masses of verdure, where the pomegranate shone amid the white tufts of the cotton-plant; vines, grape-laden, grew up into the branches of the pines; a field of roses bloomed beneath the plane-trees; here and there lilies rocked upon the turf; the paths were strewn with black sand mingled with powdered coral, and in the centre the avenue of cypress formed, as it were, a double colonnade of green obelisks from one extremity to the other. Far in the background stood the palace, built of yellow mottled Numidian marble, broad courses supporting its four terraced stories. With its large, straight, ebony staircase, bearing the prow of a vanquished galley at the corners of every step, its red doors quartered with black crosses, its brass gratings protecting it from scorpions below, and its trellises of gilded rods closing the apertures above, it seemed to the soldiers in its haughty opulence as solemn and impenetrable as the face of Hamilcar. The Council had appointed his house for the holding of this feast; the convalescents lying in the temple of Eschmoun had set out at daybreak and dragged themselves thither on their crutches. Every minute others were arriving. They poured in ceaselessly by every path like torrents rushing into a lake; through the trees the slaves of the kitchens might be seen running scared and half-naked; the gazelles fled bleating on the lawns; the sun was setting, and the perfume of citron trees rendered the exhalation from the perspiring crowd heavier still. Men of all nations were there, Ligurians, Lusitanians, Balearians, Negroes, and fugitives from Rome. Beside the heavy Dorian dialect were audible the resonant Celtic syllables rattling like chariots of war, while Ionian terminations conflicted with consonants of the desert as harsh as the jackal’s cry. The Greek might be recognised by his slender figure, the Egyptian by his elevated shoulders, the Cantabrian by his broad calves. There were Carians proudly nodding their helmet plumes, Cappadocian archers displaying large flowers painted on their bodies with the juice of herbs, and a few Lydians in women’s robes, dining in slippers and earrings. Others were ostentatiously daubed with vermilion, and resembled coral statues. They stretched themselves on the cushions, they ate squatting round large trays, or lying face downwards they drew out the pieces of meat and sated themselves, leaning on their elbows in the peaceful posture of lions tearing their prey. The last comers stood leaning against the trees watching the low tables half hidden beneath the scarlet coverings, and awaiting their turn. Hamilcar’s kitchens being insufficient, the Council had sent them slaves, ware, and beds, and in the middle of the garden, as on a battle-field when they burn the dead, large bright fires might be seen, at which oxen were roasting. Anise-sprinkled loaves alternated with great cheeses heavier than discuses, crateras filled with wine, and cantharuses filled with water, together with baskets of gold filigree-work containing flowers. Every eye was dilated with the joy of being able at last to gorge at pleasure, and songs were beginning here and there....

This is a limited preview. Download the book to read the full content.

Let's talk about the wild ride that is Les mystères du peuple. This isn't your average history book. Eugène Sue basically wrote a sprawling, multi-generational thriller disguised as a history lesson. In this fourth volume, the story continues to follow the Lebrenn family—a line of artisans, peasants, and rebels—as they navigate the treacherous waters of French history. We see them face off against injustice, from feudal lords to corrupt clergy, all while trying to preserve their family's secret chronicle of truth.

The Story

This book picks up the thread of this ordinary yet extraordinary family. Through their eyes, we witness major historical events not from the throne room, but from the streets and workshops. It's a story of survival, resistance, and the quiet, stubborn courage of people who refuse to be crushed. Each chapter feels like a new episode in a grand, historical drama, full of danger, secret meetings, and personal sacrifices.

Why You Should Read It

I love this because it flips the script. History is so often about kings and generals. Sue gives us the perspective of the blacksmith, the weaver, and the farmer. It's thrilling, sometimes heartbreaking, and incredibly human. You get completely invested in this family's fate. It’s also a fascinating look at 19th-century ideas about socialism and justice, wrapped up in a genuinely page-turning narrative.

Final Verdict

This is for you if you love big, ambitious historical fiction with a strong point of view. It’s perfect for fans of Victor Hugo's social passion or anyone who enjoys a saga where the "little guy" is the real hero. Be prepared for a dense, politically charged, and utterly absorbing read. It's a commitment, but a rewarding one.



🔓 Usage Rights

This title is part of the public domain archive. Use this text in your own projects freely.

Kenneth Anderson
1 year ago

I was skeptical at first, but the emotional weight of the story is balanced perfectly. Don't hesitate to start reading.

Ashley Davis
2 years ago

Thanks for the recommendation.

Ashley Lee
1 year ago

Simply put, the flow of the text seems very fluid. Truly inspiring.

Kevin Smith
8 months ago

The index links actually work, which is rare!

Robert Ramirez
3 months ago

Loved it.

4.5
4.5 out of 5 (14 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.
You must log in to post a comment.
Log in


Related eBooks