Short Fiction - Jonas Lie

(23 User reviews)   4869
Jonas Lie Jonas Lie
English
Hey, I just finished this collection of short stories by Jonas Lie, and I need to tell someone about it. Picture this: you're in 19th century Norway, but not the postcard version. This is the Norway of dark fjords, lonely fishing villages, and people living on the very edge of the world, where the line between reality and the supernatural feels paper-thin. That's the world Lie builds. The main conflict isn't always a person vs. person thing. It's more like ordinary folks—fishermen, farmers, wives waiting at home—up against forces they can't control. Sometimes it's a brutal storm at sea. Other times, it's a creeping dread from old folk tales that might just be true. There's a constant mystery hanging over these stories: is what's happening just bad luck and harsh nature, or is there something else, something older and stranger, at work? If you like stories that give you chills while making you feel deeply for the characters, this is your next read. It's haunting in the best way.
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superior to the much-vaunted peasants of Björnstjerne Björnson. But it is when Lie tells us some of the wild legends of his native province, Nordland, some of the grim tales on which he himself was brought up, so to speak, that he is perhaps most vivid and enthralling. The folk-lore of those lonely sub-arctic tracts is in keeping with the savagery of nature. We rarely, if ever, hear of friendly elves or companionable gnomes there. The supernatural beings that haunt those shores and seas are, for the most part, malignant and malefic. They seem to hate man. They love to mock his toils, and sport with his despair. In his very first romance, "_Den Fremsynte_," Lie relates two of these weird tales (Nos. 1 and 3 of the present selection). Another tale, in which many of the superstitious beliefs and wild imaginings of the Nordland fishermen are skilfully grouped together to form the background of a charming love-story, entitled "Finn Blood," I have borrowed from the volume of "_Fortællinger og Skildringer_," published in 1872. The remaining eight stories are selected from the book "_Trold_," which was the event of the Christmas publishing season at Christiania in 1891. Last Christmas a second series of "_Trold_" came out, but it is distinctly inferior to the former one. R.N.B. * * * * * CONTENTS CHAPTER I. THE FISHERMAN AND THE DRAUG II. JACK OF SJÖHÖLM AND THE GAN-FINN III. TUG OF WAR IV. "THE EARTH DRAWS" V. THE CORMORANTS OF ANDVÆR VI. ISAAC AND THE PARSON OF BRÖNÖ VII. THE WIND-GNOME VIII. THE HULDREFISH IX. FINN BLOOD X. THE HOMESTEAD WESTWARD IN THE BLUE MOUNTAINS XI. "IT'S ME!" * * * * * _THE FISHERMAN AND THE DRAUG_ [Illustration: _THE FISHERMAN AND THE DRAUG._] THE FISHERMAN AND THE DRAUG On Kvalholm, down in Helgeland,[1] dwelt a poor fisherman, Elias by name, with his wife Karen, who had been in service at the parson's over at Alstad. They had built them a hut here, and he used to go out fishing by the day about the Lofotens. There could be very little doubt that the lonely Kvalholm was haunted. Whenever her husband was away, Karen heard all manner of uncanny shrieks and noises, which could mean no good. One day, when she was up on the hillside, mowing grass to serve as winter fodder for their couple of sheep, she heard, quite plainly, a chattering on the strand beneath the hill, but look over she durst not. They had a child every year, but that was no burden, for they were both thrifty, hard-working folks. When seven years had gone by, there were six children in the house; but that same autumn Elias had scraped together so much that he thought he might now venture to buy a _Sexæring_,[2] and henceforward go fishing in his own boat. One day, as he was walking along with a _Kvejtepig_[3] in his hand, and thinking the matter over, he unexpectedly came upon a monstrous seal, which lay sunning itself right behind a rock on the strand, and was as much surprised to see the man as the man was to see the seal. But Elias was not slack; from the top of the rock on which he stood, he hurled the long heavy Kvejtepig right into the monster's back, just below the neck. The seal immediately rose up on its tail right into the air as high as a boat's mast, and looked so evilly and viciously at him with its bloodshot eyes, at the same time showing its grinning teeth, that Elias thought he should...

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Jonas Lie's Short Fiction isn't one story, but a whole world of them. He was writing in the late 1800s, and his Norway is raw and real. Forget grand castles; think weathered wooden houses clinging to rocks, boats battling unforgiving seas, and long, dark winters where imagination and fear can run wild.

The Story

There isn't a single plot. Instead, you get slices of life that often turn into something unexpected. You might follow a fisherman out for a catch, only for the weather to turn monstrous, making his fight for survival a tense, page-turning thriller. In another tale, a lonely person on a remote farm might start to feel a presence from local legends—a 'huldra' or a spirit of the sea—and you're left wondering if it's loneliness playing tricks or a real encounter. The stories are simple on the surface: people work, love, fear, and struggle. But Lie has this way of layering in the atmosphere of the Nordic landscape until it becomes a character itself, one that can be both beautiful and terrifyingly indifferent.

Why You Should Read It

I love these stories because they feel honest. The characters aren't heroes on epic quests; they're people trying to get by, which makes their encounters with the unexplained so powerful. Lie doesn't just write ghost stories. He writes people stories that happen to have ghosts—or the suggestion of them. The tension comes from not knowing for sure. Is that a strange light on the water a warning, or just the reflection of the moon? This uncertainty is genius. It makes you feel the same unease the characters do. You're not just reading about their world; you're pulled right into its cold air and whispering pines.

Final Verdict

This collection is perfect for anyone who loves atmospheric, character-driven tales. If you're a fan of quiet horror that gets under your skin, or if you just enjoy beautifully written slices of historical life, you'll find a lot to love here. It's also a fantastic pick for readers curious about Nordic literature beyond the big, modern crime novels. Think of it as a window into the soul of old Norway—a place of stunning natural beauty shadowed by deep, old mysteries. Keep a warm blanket handy; these stories have a way of bringing the chill of the fjords right into your room.



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Kenneth Walker
5 months ago

Amazing book.

Michael Gonzalez
1 year ago

Read this on my tablet, looks great.

Matthew Lopez
1 year ago

Not bad at all.

Melissa Nguyen
4 months ago

My professor recommended this, and I see why.

Noah Walker
1 year ago

Recommended.

5
5 out of 5 (23 User reviews )

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