The Hairy Ape - Eugene O’Neill

(8 User reviews)   2193
Eugene O’Neill Eugene O’Neill
English
Okay, so I just finished 'The Hairy Ape' by Eugene O'Neill, and my mind is officially blown. It’s short, but it packs a serious punch. Picture this: Yank, a huge, proud stoker who keeps the engines of an ocean liner running, believes he's the muscle that makes the modern world turn. He’s king of the engine room. Then, one day, a rich, beautiful woman comes down to gawk at the workers like they're zoo animals, calls him a 'filthy beast,' and his entire world cracks open. This isn't just a play about class—it's about what happens when someone's whole identity is shattered by a single, cruel word. Yank goes on a desperate, angry quest through New York City, trying to figure out where he belongs in a world that sees him as less than human. It's raw, it's brutal, and it asks the biggest question of all: if you're not what you thought you were, who are you? If you're up for something intense and thought-provoking that you can read in one sitting, grab this.
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superior to the much-vaunted peasants of Björnstjerne Björnson. But it is when Lie tells us some of the wild legends of his native province, Nordland, some of the grim tales on which he himself was brought up, so to speak, that he is perhaps most vivid and enthralling. The folk-lore of those lonely sub-arctic tracts is in keeping with the savagery of nature. We rarely, if ever, hear of friendly elves or companionable gnomes there. The supernatural beings that haunt those shores and seas are, for the most part, malignant and malefic. They seem to hate man. They love to mock his toils, and sport with his despair. In his very first romance, "_Den Fremsynte_," Lie relates two of these weird tales (Nos. 1 and 3 of the present selection). Another tale, in which many of the superstitious beliefs and wild imaginings of the Nordland fishermen are skilfully grouped together to form the background of a charming love-story, entitled "Finn Blood," I have borrowed from the volume of "_Fortællinger og Skildringer_," published in 1872. The remaining eight stories are selected from the book "_Trold_," which was the event of the Christmas publishing season at Christiania in 1891. Last Christmas a second series of "_Trold_" came out, but it is distinctly inferior to the former one. R.N.B. * * * * * CONTENTS CHAPTER I. THE FISHERMAN AND THE DRAUG II. JACK OF SJÖHÖLM AND THE GAN-FINN III. TUG OF WAR IV. "THE EARTH DRAWS" V. THE CORMORANTS OF ANDVÆR VI. ISAAC AND THE PARSON OF BRÖNÖ VII. THE WIND-GNOME VIII. THE HULDREFISH IX. FINN BLOOD X. THE HOMESTEAD WESTWARD IN THE BLUE MOUNTAINS XI. "IT'S ME!" * * * * * _THE FISHERMAN AND THE DRAUG_ [Illustration: _THE FISHERMAN AND THE DRAUG._] THE FISHERMAN AND THE DRAUG On Kvalholm, down in Helgeland,[1] dwelt a poor fisherman, Elias by name, with his wife Karen, who had been in service at the parson's over at Alstad. They had built them a hut here, and he used to go out fishing by the day about the Lofotens. There could be very little doubt that the lonely Kvalholm was haunted. Whenever her husband was away, Karen heard all manner of uncanny shrieks and noises, which could mean no good. One day, when she was up on the hillside, mowing grass to serve as winter fodder for their couple of sheep, she heard, quite plainly, a chattering on the strand beneath the hill, but look over she durst not. They had a child every year, but that was no burden, for they were both thrifty, hard-working folks. When seven years had gone by, there were six children in the house; but that same autumn Elias had scraped together so much that he thought he might now venture to buy a _Sexæring_,[2] and henceforward go fishing in his own boat. One day, as he was walking along with a _Kvejtepig_[3] in his hand, and thinking the matter over, he unexpectedly came upon a monstrous seal, which lay sunning itself right behind a rock on the strand, and was as much surprised to see the man as the man was to see the seal. But Elias was not slack; from the top of the rock on which he stood, he hurled the long heavy Kvejtepig right into the monster's back, just below the neck. The seal immediately rose up on its tail right into the air as high as a boat's mast, and looked so evilly and viciously at him with its bloodshot eyes, at the same time showing its grinning teeth, that Elias thought he should...

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Eugene O'Neill's The Hairy Ape is a one-act play that feels more like a gut punch than a story. It grabs you from the first scene in the fiery belly of a transatlantic steamship and doesn't let go.

The Story

We meet Yank, a powerful stoker who is the undisputed leader of the ship's engine room crew. He believes with every fiber of his being that he is the ship—he's the steel, the force, the thing that makes everything else move. His world is hot, loud, and simple. Then, Mildred Douglas, the frail, sheltered daughter of a steel magnate, descends into the stokehole on a slumming tour. She's horrified by the sight of Yank, screams, and calls him a 'filthy beast.'

That moment destroys Yank. If he's not the vital center of the world, what is he? He leaves the ship and wanders into New York City, trying to find a place where he fits. He confronts rich people on Fifth Avenue who ignore him like he's invisible. He tries to join a radical labor union, but they reject his pure, destructive rage. Everywhere he goes, he's an outsider. His final, desperate search for belonging leads him to the one place society has already decided he belongs.

Why You Should Read It

This play is about the human need to matter. Yank's crisis isn't just about poverty; it's about identity. O'Neill shows us what happens when the story you tell yourself about who you are gets ripped away by someone with more power. Yank isn't a political symbol—he's a painfully real person. You feel his confusion, his fury, and his deep loneliness as he bangs against the walls of a society that has no slot for him.

The language is incredible. The engine room dialogue is this rough, poetic slang, and the scenes in New York have this nightmarish, distorted quality. It reads like a fever dream of the Industrial Age.

Final Verdict

This is for anyone who loves character-driven drama that tackles big ideas without being preachy. Perfect for fans of Arthur Miller or anyone who's ever felt out of place. It's also a great, accessible entry point into classic American theater. Don't let the 'classic' label scare you—it's as urgent and unsettling today as it was a century ago. Just be ready to sit with it for a while after you turn the last page.



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Lucas Flores
1 year ago

Wow.

Jennifer White
1 year ago

Five stars!

Michael Rodriguez
1 year ago

This is one of those stories where it manages to explain difficult concepts in plain English. A true masterpiece.

Emily Hill
6 months ago

Wow.

Betty Flores
1 year ago

I was skeptical at first, but the author's voice is distinct and makes complex topics easy to digest. One of the best books I've read this year.

4
4 out of 5 (8 User reviews )

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